{"title":"JHS Effects Pedals","description":"\u003cbr\u003e","products":[{"product_id":"jhs-pedals-angry-charlie-channel-drive-overdrive-effects-pedal","title":"JHS Angry Charlie Channel Drive Distortion Pedal","description":"\u003cp\u003eRedesigned in 2016 to add the mid-range control. V3 made a great pedal even better! One of our favorites.\u003c\/p\u003e\n\u003cp\u003eThe Angry Charlie \"Channel Drive.\" In the footsteps of the classic Marshall Gov'ner this monster was born. Just like its big brother the Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone, but one thing sets them apart. This one's a little more Angry If you want high gain Marshall tones reminiscent of a JCM-800, then this is the pedal for you.\u003c\/p\u003e\n\u003cp\u003eThe gain knob has an unbelievable range of overdrive to head-on heavy grind and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but \"realistic\" sounding pedal then look no further!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":724951599,"sku":"AngryCharlie","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-Angry-Charlie-V3-top.jpg?v=1571573247"},{"product_id":"jhs-pedals-charlie-brown-channel-drive-overdrive-effects-pedal","title":"JHS Charlie Brown Channel Drive Overdrive Pedal","description":"\u003cp\u003eAll new for 2016, the JHS Pedals Charlie Brown V4 is here, with a 3-band EQ (like the amp it's modeled after). The tone controls can also cut or boost, with a 12 o'clock setting being flat.\u003c\/p\u003e\n\u003cp\u003eThe Charlie Brown \"Channel Drive.\" If you've ever heard an original Marshall JTM45 than you know why its the voice of classic Rock \u0026amp; Roll. The classic JTM45s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. After playing this pedal most people say, Where has this been my whole life?\u003c\/p\u003e\n\u003cp\u003eWith the gain below 50% it is a low grit overdrive that even Hendrix would be proud of. When you get into the upper half of the gain knob you will find a new world of natural, crunchy bite that just cant be found anywhere else. Max it out and you will be in high gain, overdrive heaven. The Presence knob lets you roll of the perfect amount of shimmer for an unprecedented compatibility with almost any amp. This unit can cover a lot of ground and we can almost guarantee that you wont be adding this one to your unusable dirt box list that you've accumulated over the years.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":724951623,"sku":"CharlieBrown","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Charlie_Brown_V4.jpg?v=1581010504"},{"product_id":"jhs-pedals-double-barrel-dual-overdrive-morning-gloryjhs808-pedal","title":"JHS Double Barrel Dual Overdrive Pedal V4","description":"\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need, packing a one-two punch that is unrivaled.\u003c\/p\u003e\n\u003cp\u003eThe right side is the JHS Moonshine V2, which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones than you ever thought possible. The Moonshine V2 has the same core sound as the Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. The order toggle lets you choose which circuit is first in the chain. When the toggle is flipped to the right side, the Moonshine is first. When the toggle is flipped to the left side, the Morning Glory is first.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe left side of the Double Barrel is JHS's best-selling Morning Glory V4 overdrive. Transparent and open tones lurk inside this circuit, as well as the new hi-gain toggle with Red Remote capability. Just plug in the JHS Pedals Red Remote into the “Remote Gain” jack with a standard patch cable and you can switch the “Gain” toggle on the fly for even more tonal options. You now have five on-the-fly overdrive options to choose from in the Double Barrel V4!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSTACKING FOR DAYS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWhen these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility thanks to the “order switching” toggle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Endless overdrive tones from low to medium gain\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Updated versions of the Moonshine and Morning Glory\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Red Remote capability with the Morning Glory V4\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Order toggle to select the order of effects when stacking\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWe are convinced that this is one of the greatest 2-in-1 pedals ever made... seriously. If you're having problems getting the tones you want, just grab the Double Barrel V4 and you’ll find out how easy it is to hit the target!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":724951627,"sku":"DoubleBarrel","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/jhs-pedals-Double_Barrel.png?v=1669920328"},{"product_id":"jhs-pedals-little-black-buffer-box","title":"JHS Little Black Buffer Pedal","description":"\u003cp\u003eThis may be the greatest weapon you didnt know you needed.\u003c\/p\u003e\n\u003cp\u003eFor those of us who are a little pedal happy there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called capacitance happens. This natural problem happens due to the amount of cable or line that you signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all true bypass is good. This isn't true and actually can be worse than imagined.\u003c\/p\u003e\n\u003cp\u003eThis is where the Little Black Buffer steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp no matter how many pedals you use.\u003c\/p\u003e\n\u003cp\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch. It runs on any standard 9v supply.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":724951639,"sku":"Little Black Buffer","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/7a2ec8f2-e3bd-4e56-8047-2aef196f1d1c_e13d7233-d65d-411f-8057-bdd72c7c8626.jpeg?v=1571573247"},{"product_id":"jhs-pedals-morning-glory-transparent-overdrive-effects-pedal","title":"JHS Morning Glory V4 Transparent Overdrive Pedal","description":"\u003cp\u003eThe JHS Pedals Morning Glory V4 is one of our favorite dirt pedals. The Bright Cut switch on the side of the pedal and the manual Boost toggle switch on top make this great sounding overdrive very versatile. The Boost switch can be made foot-switchable using the red jack, also on the right side. A two color LED indicates when you are in Boost mode.\u003c\/p\u003e\n\u003cp\u003eTheres a lot of hype out there these days with overdrive pedals and the last thing we want to do is to add to the noise. As you may already know, almost every boutique overdrive on the market is a modified Tubescreamer of some sort; JHS have decided to take a different approach.\u003c\/p\u003e\n\u003cp\u003eThe Morning Glory is a very transparent tone-shaping tool that is the result of several years of building, gigging, tweaking and improving on the original Marshal Bluesbreaker design. JHS improved vastly on the BB while maintaining what made it a great pedal in the first place. It now has around 4X more headroom, 2X the available gain, and a more useful tone control. The Bright Cut toggle allows the perfect level of EQ for your rig. You will notice immediately how touch sensitive and dynamic the feel of this pedal is. The frequencies are perfectly balanced and the tone knob reacts as a high frequency roll off. The drive allows you a huge range of tones from little wing-ish chime to classic rock era bite.\u003c\/p\u003e\n\u003cp\u003eIf youre a Strat player, this pedal will bring you sounds that you may have thought impossible. If you like the Les Paul, get ready to discover a new pallet of sounds that you wont be able to live without. With enough clean headroom to be used as a boost as well as a hefty amount of drive, this may be your go-to pedal for good.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":724951651,"sku":"MORNINGGLORYV4","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Morning_Glory_V4.jpg?v=1581018240"},{"product_id":"jhs-pedals-alpine-reverb","title":"JHS Pedals Alpine Ambient Reverb Pedal","description":"\u003cp\u003eVERSION 1 - $50 off!\u003c\/p\u003e\n\u003cp\u003eEssentially a two-channel reverb as the \"Shift\" control allows you to set a second level of reverb and engage it on the fly via the \"Shift\" foot switch. Brilliant! Sounds wonderful in the long tradition of wonderful sounding stuff from JHS Pedals in Kansas City. Amazing control and versatility givin the simple layout. We like that in a pedal. More on the Alpine Reverb:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitches \u0026amp; Knobs\u003c\/strong\u003e\u003cbr\u003e The Alpine features two footswitches.  The left footswitch turns the pedal On\/Off and the right footswitch is the \"Shift\" footswitch (which we will explain a bit later).  The knob controls start with the \"Reverb\" control.  The \"Reverb\" control is essentially a wet\/dry mix knob that lets you set the perfect balance and feel to how saturated the effect feels.  The \"Highs\" control functions like a high-pass filter.  Highs roll off and let you darken or brighten the overall effect when its engaged.  The \"Highs\" control plays a big part in the actual feel of the reverb, how it decays, and how it reacts in your overall rig.   For example a setting that may feel over-the-top or a bit wild can be tamed into a very usable and more subtle texture simply by rolling back the \"Highs\" control.  This also works in the opposite way as a simple room\/slap sound can be brightened into a more dramatic sound.  The \"Depth\" control adjusts the size or space of the reverb. Think of the \"Depth\" control as a knob that lets you change the depth of the canyon you are playing guitar in.  The \"Length\" control adjusts the tails\/decay time of the overall reverb.  At low \"Length\" settings you feel like you're in a bathroom, at full tilt you feel like you're in a space cave that transcends human perception.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShift Knob \u0026amp; Footswitch\u003c\/strong\u003e\u003cbr\u003e The \"Shift\" knob is possibly the most useful of them all as it basically allows two settings on the fly. When you engage the \"shift' footswitch on the right you also engage the \"Shift\" knob that is a second \"Reverb\" control.  This lets you set the standard \"Reverb\" control to one setting and the \"Shift\" to another for on the fly adjustment between two preset sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacks\u003c\/strong\u003e\u003cbr\u003e You will find The Alpine has two top-mounted 1\/4\" Input\/Output jacks like most pedals.  On the left side we also include a TRS EFX Loop jack just like what is found in the \u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/panther-cub-delay\/\" title=\"Panther Cub Delay\"\u003eJHS Panther Cub Analog Delay\u003c\/a\u003e.  The EFX Loop allows you to insert any pedal or effect unit you want within the reverb signal itself for infinitely tweak-able sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEFX Loop\u003c\/strong\u003e\u003cbr\u003e Using a \u003ca href=\"https:\/\/www.sweetwater.com\/store\/detail\/STP201\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.sweetwater.com\/store\/detail\/STP201', 'TRS Splitter Cable']);\" target=\"_blank\"\u003eTRS Splitter Cable\u003c\/a\u003e you can insert your favorite octave pedal to create a Shimmer effect.  Insert a delay for huge ambient pads or even an EQ for fine control of the frequencies and shape of the reverb effect.  On your splitter cable the RING goes to the output\/return of the effect you are using in the loop and the TIP goes to the input\/send of that same effect.   Inside the Alpine you will find a small switch that says (EFX LOOP) and two positions labeled (SHIFT ONLY) and (ALWAYS ON).  All units are shipped with this dip-switch in the (SHIFT ONLY) position.  When the switch is on \"Shift Only\" the EFX Loop only engages when you engage the \"Shift\" footswitch setting.  This allows you to have your normal reverb setting and then hit the \"Shift Footswitch\" to activate your \"Shift\" knob setting and your EFX Loop at the same time for two very different sounds on the fly.   If you want the EFX Loop to apply in both the normal \"Reverb\" and \"Shift\" settings, simply flip the dip-swich to the (Always On) position and the EFX loop will always-be-on-all-the-time whenever the Alpine is turned on or the \"Shift\" is engaged.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":1200626443,"sku":"ALPINE","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHSPedals_AlpineReverb_a523cfdf-0332-46ab-90ef-1f0fcd7ed983.jpeg?v=1571573268"},{"product_id":"jhs-pedals-muffuletta-big-muff-modeler","title":"JHS Pedals Muffuletta \"Big Muff\" Fuzz Distortion Pedal","description":"\u003cp\u003eThe Electro Harmonix Big Muff distortion\/fuzz just might be the world's best known guitar pedal. First designed by Mike Matthews in the late 60's, the Big Muff has gone through many incarnations. JHS has taken 5 of the best loved versions of the Big Muff, added a 2015 version of their own, and put them all in one beautiful analog package.\u003c\/p\u003e\n\u003cp\u003eLooking at the pedal, there are four controls: Volume, Tone, Sustain and Mode. The “Volume\" control works just like any other volume control allowing you to adjust the overall output of the pedal to your taste. The “Tone” control lets you brighten or darken your overall tone. The “Sustain” control is best understood as a gain or distortion control as it gives more distortion to the circuit. The “Mode” control lets you choose from our six different versions of the Big Muff on the fly. Looking at the “Mode” control you will see six icons around the lower 50% of the knob. Let's take a look at each mode and why they made the cut to be in the ultimate Big Muff tribute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS - \"2015\"\u003c\/strong\u003e The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful, less compressed with a more haunting mid range. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e73 Rams Head -\u003c\/strong\u003e “1973-1977 V2” The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range, less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Triangle -\u003c\/strong\u003e “1969-1970 V1” The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana, David Gilmour's Pete Cornish made pedal boards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pi -\u003c\/strong\u003e “1977-1978 V3” The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townsend (The Who).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Russian -\u003c\/strong\u003e \"1999-2009 V8” The Russian Muff gets its name from the “Made in Russia” text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Civil War -\u003c\/strong\u003e “1991-1993 V7” The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colors found on many. It is best known for having more mid range, brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills and Peter Buck (REM).\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":9894031427,"sku":"Muffuletta","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Muffaletta.jpg?v=1581011001"},{"product_id":"jhs-pedals-the-at-andy-timmons-overdrive-distortion","title":"JHS Pedals The AT+ @ Andy Timmons Overdrive Distortion Pedal","description":"\u003cp class=\"\"\u003eIn 2016 JHS brought us the AT, Andy Timmons artist signature pedal and the next iteration of this phenomenal stomp box is The AT+.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/h3\u003e\n\u003cp class=\"\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same.   They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003ch3\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/h3\u003e\n\u003cp class=\"\"\u003eNew to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal.  The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more.  Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":11159973062,"sku":"THEAT+","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/AT_Red.jpg?v=1581012163"},{"product_id":"jhs-pedals-pulpnpeel-compressor-v4","title":"JHS Pedals Pulp 'N' Peel Compressor V4 Pedal","description":"\u003cp\u003eThe compressor for people who don't like compressors has some great new features in it's Version 4 design. One of our favorite pedals!\u003c\/p\u003e\n\u003cp\u003eJust the overall sound of this pedal is enough to make you never turn it off, and so, it's now a DI as well for bass and acoustic players. A decidedly more electric feature is the new Dirt toggle. This switch works in conjunction with the side accessible trim pot and allows you to activate your desired amount of dirt\/overdrive into the signal path. This control is a magic bullet for bass players who want to cut through the mix or for electric players who only need compression and dirt as the foundation of their tone. On the side of the PnP you will also notice that the internal bypass buffer is switchable on-the-fly. For true bypass operation turn this off, but for buffered bypass signal to drive your long cable lengths and to restore lost tone, turn this on.\u003c\/p\u003e\n\u003cp\u003eThe EQ control is also new (four knobs now). When set at noon, the control is bypassed. Turning the EQ to the left allows you to darken while moving to the right lets you brighten the tone. \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":16409746438,"sku":"PULPNPEELV4","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Pulp_n_Peel_V4.jpg?v=1581011329"},{"product_id":"jhs-milkman-slap-delay-boost-pedal","title":"JHS Milkman Slap Delay \u0026 Boost Pedal","description":"\u003cp\u003eNew release in April of 2017, the Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo\/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost\/echo 2-in-1 that fits into any style players rig with ease. Let's look at the controls.\u003c\/p\u003e\n\u003cp\u003eThe right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo\/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analog BBD delay, and cover the tonal grounds between both.  The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time.  As you turn the knob up, you will get longer delay times.  Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level.  Full counter clockwise is all dry and full clockwise is full wet\/effect. The “Repeat” knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. \"Repeat\" knob lets you fine tune how many delays you will get.  Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine.\u003c\/p\u003e\n\u003cp\u003eThe longest echo\/delay time on the Milkman is about 240ms.\u003c\/p\u003e\n\u003cp\u003eThe footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together.  The foot switch on the left, the switch will turn the delay on\/off and the footswitch on the right will turn the boost on\/off.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":38581102092,"sku":"MILKMAN","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Milkman.jpg?v=1581010779"},{"product_id":"jhs-pedals-bonsai-9-way-screamer-overdrive","title":"JHS Pedals Bonsai 9-Way Screamer Overdrive","description":"\u003cp\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtedly be Tube Screamer.  It is probably the most produced and sold pedal in the history of guitar pedals!   The Bonsai is the JHS tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp\u003eFollowing in the steps of the JHS \u003ca href=\"https:\/\/www.jhspedals.com\/products\/bass-pedals\/muffuletta\/\"\u003eMuffuletta (released 2015)\u003c\/a\u003e, the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer.  Creating the Bonsai became an archeological dig of sorts that sent JHS deep into the history of this circuit by examining dozens of versions, variations and replications.  At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal.  One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our \u003ca href=\"https:\/\/www.ap.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eAudio Precision\u003c\/a\u003e analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box!  The Bonsai is exact replication, not emulation.  When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003cp\u003eLets take a look at the 9 modes of the Bonsai based on the 9 pedals we have chosen...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003cbr\u003e An overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003cbr\u003e The classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003cbr\u003e Nearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSL, Power or L Series - 1985\u003c\/strong\u003e\u003cbr\u003e Though metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of.  Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003cbr\u003e Made famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExar OD-1 1989\u003c\/strong\u003e\u003cbr\u003e The EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-7 (+mode) - 1999\u003c\/strong\u003e\u003cbr\u003e The hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeeley Mod Plus - 2002\u003c\/strong\u003e\u003cbr\u003e Robert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS Strong Mod - 2008\u003c\/strong\u003e\u003cbr\u003e Our own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher nd low end drop offs.\u003c\/p\u003e\n\u003ch4\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/h4\u003e\n\u003ch5\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes 20 mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eThe words Ibanez, Boss, Roland, Tubescreamer, TS9, 808, Exar, and Keeley, Audio Precision may be registered trademarks.  The JHS Pedals Bonsai is in no way affiliated or endorsed by Ibanez, Boss, Roland, Tubescreamer, TS9, 808, Exar, Keeley, and Audio Precision.\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":21272529961040,"sku":"BONSAI","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Bonsai.jpg?v=1581016268"},{"product_id":"jhs-pedals-whitey-tighty-compressor","title":"JHS Pedals Whitey Tighty Compressor","description":"\u003cspan\u003eThe Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":21627754938448,"sku":"WHITEYTIGHTY","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Whitey_Tightey.jpg?v=1581011726"},{"product_id":"jhs-pedals-cheese-ball-fuzz","title":"JHS Pedals Cheese Ball Fuzz","description":"\u003cp class=\"\"\u003eIn the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Cheese Ball is our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31822102790224,"sku":"CHEESEBALL","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/Cheese_Ball_01.jpg?v=1580932989"},{"product_id":"jhs-pedals-pg14-paul-gilbert-signature-overdrive-distortion","title":"JHS Pedals PG14 Paul Gilbert Signature Overdrive Distortion","description":"\u003cp class=\"\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003ch3\u003eALL THE MIDS CONTROL!\u003c\/h3\u003e\n\u003cp class=\"\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":31827941032016,"sku":"PG14","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/PG-14.jpg?v=1581019029"},{"product_id":"jhs-pedals-3-series-chorus","title":"JHS Pedals 3 Series Chorus","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/srh1gK85Ihs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955594440784,"sku":"3SERIESCHORUS","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Chorus-front.jpg?v=1603295146"},{"product_id":"jhs-pedals-3-series-compressor","title":"JHS Pedals 3 Series Compressor","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4ClKxSTB40g\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955645821008,"sku":"3SERIESCOMP","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Compressor-front.jpg?v=1603296802"},{"product_id":"jhs-pedals-3-series-distortion","title":"JHS Pedals 3 Series Distortion","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vx7XY2QNob8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955705294928,"sku":"3SERIESDISTORT","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Distortion-front.jpg?v=1603298147"},{"product_id":"jhs-pedals-3-series-delay","title":"JHS Pedals 3 Series Delay","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ALuQTmZyLJI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955722956880,"sku":"3SERIESDELAY","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Delay-front.jpg?v=1603298580"},{"product_id":"jhs-pedals-3-series-fuzz","title":"JHS Pedals 3 Series Fuzz","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aaA5MiW_gag\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955792064592,"sku":"3SERIESFUZZ","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Fuzz-front.jpg?v=1603301190"},{"product_id":"jhs-pedals-3-series-overdrive","title":"JHS Pedals 3 Series Overdrive","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t9KjOUAczS4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955913502800,"sku":"3SERIESDRIVE","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Overdrive-front.jpg?v=1603306984"},{"product_id":"jhs-pedals-3-series-reverb","title":"JHS Pedals 3 Series Reverb","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T10GayNmJr4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":32955933491280,"sku":"3SERIESREVERB","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-Reverb-front.jpg?v=1603307351"},{"product_id":"jhs-packrat-multi-rat-distortion-pedal-modeler","title":"JHS Packrat Multi Rat Distortion Pedal Modeler","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the then mainstream throes of MXR, DOD and even BOSS’s product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Schofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBuilding on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen you put it that way, $249 sounds pretty reasonable, right?\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMODES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1. The OG V1 (1979-83)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe OG is a perfect recreation of the first production Version 1 Big Box\/tone control RATs ever made. This is the model that started it all.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2. White Face V3 (1984-1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe “White Face” is the first Small Box RAT and is recognizable for its white filled block logo across the top of the pedal. This model has the more traditional reverse Filter control instead of Tone.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3. Turbo V5 (1989)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Turbo RAT introduced the world to a different type of distortion by introducing LEDs to the RAT’s clipping section to produce a more powerful distortion sound.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4. BRAT V6 (1997)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late nineties, Guitar Center launched an exclusive “budget RAT” with big tone and some unique modifications. The BRAT is the most unique RAT variation ever made by ProCo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e5. Dirty V7 (2004)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhat happens when you replace the stock silicon diodes with germanium? It gets even dirtier.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e6. LA (1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJapanese pedal companies loved the RAT circuit and used it throughout the 1980s disguised as their latest and greatest “original” circuit. The LA Metal is one of the most interesting takes on the circuit from this era.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e7. Landgraff MO’D (1999)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSwirl paint jobs and point-to-point wiring made Landgraff a father of the nineties boutique era. The MO’D distortion is one of the greatest RAT-style distortions ever made.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e8. Caroline Wave Cannon \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen I started the PackRat, I knew immediately what friend I was going to invite to the party. The Wave Canon is Caroline Guitar Company’s stab at making this classic circuit even better. I bought the version 1 back in 2012 and immediately fell in love.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e9. JHS Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Mode is the discontinued “PackRAT” modification that I did to RATs for over ten years. It takes everything I love about this circuit and elevates it!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39578918912080,"sku":"PACKRAT","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHSPedalsPackRat_1_copy.png?v=1635524260"},{"product_id":"jhs-pedals-3-series-hall-reverb","title":"JHS Pedals 3 Series Hall Reverb","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39636355022928,"sku":"3SERIESHALL","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Serires-HallReverb.png?v=1641936148"},{"product_id":"jhs-pedals-3-series-phaser","title":"JHS Pedals 3 Series Phaser","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39636359643216,"sku":"3SERIESPHASER","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Serires-Phaser.png?v=1641937341"},{"product_id":"jhs-pedals-3-series-flanger","title":"JHS Pedals 3 Series Flanger","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? The JHS 3-Series Flanger is $99. \u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39655143374928,"sku":"3SERIESFLANGER","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Serires-Flanger.png?v=1643829705"},{"product_id":"jhs-pedals-3-series-screamer-overdrive","title":"JHS Pedals 3 Series Screamer Overdrive","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA. \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39721966338128,"sku":"3SERIESSCREAM","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3Series-Screamer.png?v=1650566843"},{"product_id":"jhs-little-black-amp-box","title":"JHS Little Black Amp Box","description":"Taming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. If your amp has a series effects loop, the JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. And your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels.","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39747624042576,"sku":"LITTLEBLKAMPBOX","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/jhs-pedals-Little_Black_Amp.png?v=1651946962"},{"product_id":"jhs-pedals-3-series-harmonic-tremolo","title":"JHS Pedals 3 Series Harmonic Tremolo","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo”. Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is the JHS take on a harmonic trem effect.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39907994763344,"sku":"3SERIESHARTREM","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-MarmTrem.jpg?v=1663877359"},{"product_id":"jhs-pedals-3-series-octave-reverb","title":"JHS Pedals 3 Series Octave Reverb","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Unforgettable Fire \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay. The 3 Series Octave Reverb is the JHS take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":39908008689744,"sku":"3SERIESOCTREV","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS-Pedals-3-Series-OctRev.jpg?v=1663878142"},{"product_id":"jhs-artificial-blonde-vibrato-pedal","title":"JHS Artificial Blonde Vibrato Pedal","description":"\u003cp\u003eJHS Artificial Blonde Madison Cunningham Artist Signature Vibrato Pedal\u003c\/p\u003e\n\u003cp id=\"yui_3_17_2_1_1670532924149_1165\" class=\"\"\u003eAt its core, the Artificial Blonde is a very simplistic approach to Madison’s signature sound: a never off, always on, slightly 3D pitch vibrato sound. The secondary footswitch switches between the two speed\/depth preset sections. It’s a true pitch vibrato modulation pedal with two easy-to-access modes for live use. Simply put, this \u003cem\u003eis \u003c\/em\u003eMadison Cunningham in a box: just add a clean Fender-style amp and tune your guitar strings down!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVOLUME -\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eEQ -\u003c\/strong\u003e The EQ control is an active tilt EQ. Noon is flat. Turning to the left boosts lows and cuts highs, while turning to the right boosts highs and cuts lows.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSPEED -\u003c\/strong\u003e Controls the rate of the vibrato. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDEPTH -\u003c\/strong\u003e Controls the depth of the vibrato. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eINPUT -\u003c\/strong\u003e 1\/4” jack on the top right receives your instrument’s signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOUTPUT MONO\/STEREO –\u003c\/strong\u003e 1\/4” jack outputs. Use the MONO output for a mono signal path or use both the MONO and STEREO output jacks for a 3D stereo soundscape.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBYPASS -\u003c\/strong\u003e Left footswitch turns the effect on and off. When off, the pedal is buffered bypass and both outputs pass the normal dry signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePRESET –\u003c\/strong\u003e Right footswitch changes the preset to A or B. On power up the default is preset B.  Each preset has the same speed and depth range and allows you to create two different switchable settings.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40000654934096,"sku":"ARTIFICIALBLONDE","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/products\/JHS_Artificial_Blonde.png?v=1670533209"},{"product_id":"jhs-pedals-red-remote","title":"JHS Pedals Red Remote","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eUse our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1\/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.  The Red Remote is currently compatible with the following JHS Pedals:\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMORNING GLORY V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSUPERBOLT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTWIN TWELVE V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDOUBLE BARREL V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKILT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSWITCHBACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch.  For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's \"GAIN\" toggle will be deactivated and the Red Remote will switch the toggle on\/off as you step on the footswitch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo use the Red Remote, plug the remote into the jack of the pedal labeled \"REMOTE...\"  ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis pedal measures 2\"x2\"x1.25\" and does not require any power supply. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNOTE: YOU CAN USE ANY LATCHING AMP STYLE FOOTSWITCH OR BUILD YOUR OWN TOO!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL DOES NOT REQUIRE A POWER SOURCE.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40440326357072,"sku":"REDREMOTE","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/rr1.webp?v=1704735469"},{"product_id":"used-jhs-ledgends-series-bender-1973-london-fuzz-pedal","title":"Used JHS Ledgends Series Bender 1973 London Fuzz Pedal","description":"\u003cp\u003e\"The \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. The JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver\/Orange “Onomatopoeia” version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn’t always do what you want it to do. I had to ask: could we replicate this pedal sonically? Could we capture what it's all about, but in a way that is more consistent, dependable, and easy to manufacture? Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors.  The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never-before-heard “JHS Mode”. Push that button for more gain and a mid frequency boost to send your leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about.\"\u003c\/p\u003e\n\u003c!----\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40810903863376,"sku":"ISI3807","price":129.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/IMG_8033.jpg?v=1719337670"},{"product_id":"jhs-flight-delay-pedal","title":"JHS Flight Delay Pedal","description":"\u003cp\u003eThe JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMIX -\u003c\/strong\u003e Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEATS -\u003c\/strong\u003e Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ - \u003c\/strong\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIME - \u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eANALOG -\u003c\/strong\u003e A filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003c\/p\u003e\n\u003cp\u003eEHX Memory Man and BOSS DM-2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVERSE -\u003c\/strong\u003e Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL -\u003c\/strong\u003e Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/p\u003e\n\u003cp\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSUBDIVISION TOGGLE \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eSets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTRAILS BYPASS MODE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAllows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe fight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e Controls the rate of the modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTAP - \u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e Bypass switch, which turns the effect on and off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eI\/O \u0026amp; POWER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e 1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTAP\/EXP JACK -\u003c\/strong\u003e 1\/4” jack on the top between the input and DC jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40960584482896,"sku":"FLIGHTDELAY","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-Flight-Delay-Blue_1100x_caffc7b5-4641-4694-b1b0-53cb76ed524e.webp?v=1730470656"},{"product_id":"jhs-violet-lari-basilio-signature-overdrive-pedal","title":"JHS Violet Lari Basilio Signature Overdrive Pedal","description":"\u003cp\u003eThe JHS Violet Lari Basilio Signature Distortion Pedal is a game-changing addition to any player's pedalboard, offering the perfect blend of overdrive and distortion with unmatched tonal versatility. Born from the collaboration between JHS and Brazilian guitar virtuoso Lari Basilio, this pedal allows guitarists to channel rich, amp-like distortion, making it great for players looking to inject their clean tone with raw, rock 'n' roll fury.\u003c\/p\u003e\n\u003cp\u003eWhat sets the Violet apart is its powerful three-band EQ. Unlike typical distortion pedals, the Violet places the Midrange control before the distortion circuit, allowing you to shape your tone with more flexibility. Whether you're after a smooth, sizzlin' overdrive or a face-melting distortion, this pedal can easily dial it in. The Treble and Bass controls, positioned after the distortion circuit, let you dial in post-distortion frequencies for an even more refined sound.\u003c\/p\u003e\n\u003cp\u003eKey controls include the Volume knob for adjusting overall output, the Drive knob to control gain, and the intuitive Mid Sweep for selecting which mid frequencies to boost or scoop. With additional Low, Mid, and High controls, you can sculpt your tone to perfection, from subtle crunch to high-gain aggression.\u003c\/p\u003e\n\u003cp\u003eBuilt with silent footswitch technology and a compact design, the JHS Violet Distortion pedal is a must-have for any guitarist seeking an ultra-powerful overdrive and distortion pedal with hundreds of tones on tap.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40973321732176,"sku":"VIOLET","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/c018dfc0-b3aa-5c5e-b50c-4633b1f0450d__84309.jpg?v=1730739223"},{"product_id":"jhs-3-series-oil-can-delay-pedal","title":"JHS 3 Series Oil Can Delay Pedal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\" id=\"docs-internal-guid-0fd88c7e-7fff-99d3-7ff3-2fae34dd55e3\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41162429825104,"sku":"3SERIESOILCAN","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3Series-Oil-Can-Delay.png?v=1745962112"},{"product_id":"jhs-3-series-rotary-chorus-pedal","title":"JHS 3 Series Rotary Chorus Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp\u003eThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond* organs, the Leslie* was a rotating speaker that created the recognizable Doppler effect (think church organ). You’ve heard rotary effects on everything from It’s Only Love by the Beatles to Cold Shot by Stevie Ray Vaughn and from City Love by John Mayer to Black Hole Sun by Soundgarden. It’s everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format! \u003c\/p\u003e\n\u003cp\u003eIntensity determines the modulation depth. Speed lets you control how fast the simulated speaker “spins.” When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient “room microphone” sound that happens when recording a real Leslie*. \u003cbr\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41162430742608,"sku":"3SERIESROTCHO","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3Series-Rotary-Chorus-Front.png?v=1745962236"},{"product_id":"jhs-3-series-tape-delay-pedal","title":"JHS 3 Series Tape Delay Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp\u003eTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear \u0026amp; tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire. \u003cbr\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41162431332432,"sku":"3SERIESTAPEDLY","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3Series-Tape-Delay-Front.png?v=1745962358"},{"product_id":"jhs-424-gain-stage-effect-pedal","title":"JHS 424 Gain Stage Effect Pedal","description":"\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\" id=\"docs-internal-guid-e2fb23d1-7fff-2c0f-c40b-879de59a52d0\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s Nebraska, the Wu-Tang Clan’s Enter the Wu-Tang, and Spoon’s Gimme Fiction. Many of the vocal parts and fuzzy guitar tracks on Gimme Fiction – a huge inspiration for the creation of the \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/collections\/all-products\/products\/colour-box-10\" style=\"text-decoration: none;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #1155cc; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eColour Box \u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIn this historically accurate recreation, we perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The 424 MKI’s gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe 424 Gain Stage as a DI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved multi-track recorder. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/products\/active-a-b-y\" style=\"text-decoration: none;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #1155cc; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe 424 Gain Stage with an Amp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePlugging a multi-track recorder into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eVOLUME\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e(Corresponds to 424 MKI Master) \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eGAIN 1 (TRIM) \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eGAIN 2 (CHANNEL) \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eBASS \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eTREBLE \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eINPUT\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e - Top ¼” right jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eOUTPUT \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Top ¼” left jack.\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eXLR OUTPUT\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eGROUND LIFT\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e - Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePOWER\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e - Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41258909040720,"sku":"424GAINSTAGE","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHSPedals_424GainStageFront.png?v=1753732135"},{"product_id":"kilt-10","title":"JHS Kilt 10 Overdrive Effect Pedal","description":"\u003ch2 dir=\"ltr\"\u003e\u003cstrong\u003eTHE KILT 10 - CELEBRATING A DECADE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHERE IT BEGAN\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs across the globe. From that request, the Kilt was born, and ever since, it has been one of our best-selling overdrive\/distortion pedals year after year.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE EVOLUTION OF OVERDRIVE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe original Kilt carved out its own space in a crowded field by focusing on clarity, versatility and musical responsiveness. But over the years, we kept hearing the same requests: more headroom for cleaner tones, more audible effect from the flat\/cut toggle, and more control over the low-gain textures. The Kilt 10 addresses every one of these requests while maintaining the DNA that made you fall in love with the Kilt in the first place. It's what you love but better.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S NEW FOR 2025\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn Updated Look –\u003c\/span\u003e\u003cspan\u003e The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years.   \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImproved Gain Control\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones — just smooth, musical breakup from whisper-quiet to full saturation.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEnhanced High-End Clarity\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e We've refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eIncreased Volume Headroom\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRefined Toggle Switches\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDiode Choice Enhancement\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e: \u003c\/strong\u003eA new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Think Kilt V2 but bigger. From the first chord you play, you will love how it feels. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe beauty of the Kilt 10  is that it functions exactly like the Kilt V2. With G1 down and G2 up, it acts like a higher gain stage boost—perfect for pushing your amp's front end or stacking with fuzz. Flip both toggles up and you get that massive wall of saturated British overdrive that made the original famous. The improved gain sweep means you can dial in everything from edge-of-breakup rhythm tones to singing lead saturation to all out gated spitting fuzz.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe enhanced headroom and clarity make this version particularly suited for complex chord work and intricate picking patterns that would get lost in lesser overdrives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnd don't forget—the Kilt comes equipped with proprietary JHS Red Remote circuitry that allows you to switch the gain toggle on-the-fly for instant changes between overdrive and distortion, or distortion and fuzz!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVOLUME\u003c\/span\u003e\u003cspan\u003e - Controls the output volume. Left is less, right is more.. More headroom means you no longer have to turn your volume up past noon and you have more ability to use as a boost. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGAIN\u003c\/span\u003e\u003cspan\u003e - Controls the amount of drive or distortion. Left is less, right is more. Never before has the first 25% of the gain range been so usable. You will find transparent overdrive textures that were never before possible as well as the familiar and much loved gating fuzz abilities that the last 25% of the range offers. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTONE\u003c\/span\u003e\u003cspan\u003e - Controls the amount of brightness. Left is darker, right is brighter. High-frequency control with enhanced clarity and improved amp compatibility. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eG1 \/ G2 TOGGLEs\u003c\/span\u003e\u003cspan\u003e - These toggles work together to give you up to 4 different resistance clipping options. Both toggles down is the lowest gain setting. G1 up gives you more overdrive. G2 up gives you more fuzz. Both toggles up gives you the heaviest gated fuzz the Kilt offers! The G2 \u003c\/span\u003e\u003cspan\u003etoggle can also be engaged by a Red Remote.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLOW-CUT TOGGLE\u003c\/span\u003e\u003cspan\u003e - The down position is flat EQ, while the up position is the “cut” mode with less bass. In “cut” mode lows are reduced  for an overall tone that cuts through the mix like never before. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - Lower jack on the right side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - Jack on the left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRED REMOTE - Upper jack on the right side of the pedal with a red washer.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Kilt 10 isn't about reinventing the wheel — it's about perfecting it. We've taken a decade of player feedback, countless hours of refinement, and distilled it into what we believe is the most complete version of this classic circuit we've ever made.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V1\u003c\/span\u003e\u003cspan\u003e = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eand four toggles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V2\u003c\/span\u003e\u003cspan\u003e = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt 10 \u003c\/span\u003e\u003cspan\u003e= 10 Year Anniversary Special Edition Mod released in 2025. Polished aluminum finish with Expandora-style knobs. Updated Scottish flag-inspired icon \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41907856441424,"sku":"KILT10","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/Kilt-10year3_1100x_837bd3ab-f4f6-4a3a-b9df-9d64e659a596.webp?v=1767718746"},{"product_id":"jhs-3-series-bit-crusher-effect-pedal","title":"JHS 3 Series Bit Crusher Effect Pedal","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial,sans-serif;\"\u003e\u003cspan style=\"color: rgb(0,0,0);\"\u003eThe 3 Series Bitcrusher was built from scratch to do two things with precision: reduce bit depth and reduce sample rate, with a filter to shape the result. The Crush knob controls bit depth, moving from full 24-bit resolution counterclockwise down to 1-bit clockwise,from unprocessed through grainy and textured, into square-wave aggression and gated digital distortion. The Sample Rate knob works counterclockwise from a clean 32.768 kHz down to 2.5 Hz, introducing aliasing and artifacts that range from subtle harmonic shifts to metallic, ring-mod-like chaos and full digital collapse. The Filter knob shapes both, fully clockwise is unfiltered. Turn counterclockwise to sweep the corner frequency and increase the filtering. The Type toggle selects the filter character: down is a second-order low-pass with no resonant peak, inspired by vintage synthesizers like Oberheim, full-bodied and well-suited to bass guitar. Toggle up is a high-pass and low-pass swept in succession, focusing a band of strong mid-range frequencies that evokes the small speaker sound of a handheld game console. Under the hood, this pedal applies a zero-hole filter,a theoretical signal processing concept that had never found a practical application until it became part of this circuit.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42315832787024,"sku":"3SBC","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3-Series-BitCrusher-Front.jpg?v=1778164458"},{"product_id":"jhs-3-series-glitch-delay-effect-pedal","title":"JHS 3 Series Glitch Delay Effect Pedal","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial,sans-serif;\"\u003e\u003cspan style=\"color: rgb(0,0,0);\"\u003eThe 3 Series Glitch Delay is a delay pedal built around one singular obsession: time-based glitching. Inspired by the legendary Line 6 DL-4 and the ambient, smearing delay work of Bill Frisell, this pedal locks your core delay time in place while a randomized glitch event alters the playback speed in real time. This bends, drags, and warps repeats inside the delay circuit’s feedback loop. The result is a living, breathing delay that moves with you without losing your tempo. With Glitch fully counterclockwise it's a warm, musical delay pedal. No glitch, just classic delay tones that will fit any rig. Turn it clockwise and glitch probability increases up to 50% (when the knob is full clockwise), with the LED flashing in sync with each event. The Time control spans 20ms to 980ms, from tight slapback to long ambient pads. The Repeats control adds beautiful modulation as it climbs, and an internal limiter allows endless, never-runaway feedback. New notes stack on top of older, slowly dissolving repeats. The Mix toggle sets delay level at either a subtle 35% or a more present 80%. This is an easy to use pedal where no setting sounds bad. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42315832819792,"sku":"3SGD","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3-Series-GlitchDelay-Front.jpg?v=1778164392"},{"product_id":"jhs-3-series-ring-modulator-effect-pedal","title":"JHS 3 Series Ring Modulator Effect Pedal","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial,sans-serif;\"\u003e\u003cspan style=\"color: rgb(0,0,0);\"\u003eThe 3 Series Ring Modulator covers it all, from subtle, invisible modulation to full metallic chaos, with two distinct modes. The Blend knob mixes the ring modulation against your dry signal. The Frequency knob controls the speed of the ring modulator's oscillator, moving from slow, pulsing movement at lower settings to bell-like, metallic tones at higher ones. The Mode toggle selects between two algorithms. Down is Earworm mode, inspired by the now discontinued Way Huge Ringworm. The Tweak knob introduces an auxiliary LFO that adds wobble and movement to the modulation, turning a fixed ring mod into something alive and animated. Up is Green Lantern mode, inspired by the Green Ringer circuit, a wave rectifier that produces a natural-sounding octave effect alongside the ring modulation. In this mode, Tweak blends the octave effect from off to 100%. Used subtly under a solo, it adds a barely-there harmonic presence. Pushed hard with gain in front of it, it becomes something considerably wilder. Ring modulation has been around since the 1970s, and this pedal is our take on giving you everything the effect has to offer in one of  the simplest possible packages. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42315832852560,"sku":"3SRM","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-3-Series-RingModulator-Front.jpg?v=1778164275"},{"product_id":"jhs-fumble-boost-effect-pedal","title":"JHS Fumble Clean Boost Pedal","description":"\u003cp\u003eThe aptly named Fumble is JHS taking a mistake and turning into a small platform boutique Dumble style boost at a not-boutique price point.  In 2025 JHS Released their second solderless pedal kit with two different Dumble Circuits.  One problem.  The wrong circuit was included.  JHS owned up and fixed the mistake for the V2 NOTADUMBLE offering, but the Fumble circuit had made it out into the wild.  JHS saw the opportunity for a new boost offering, and poking fun at themselves decided the self deprecating \"Fumble\" should, this time intentionally, see the light of day.  \u003c\/p\u003e\n\u003cp\u003eThis simple boost is a clone of a clone of a clone.  Originally this circuit was a recreation of a John Mayer owned Dumble BBC-1.  However, after doing some digging it was found that the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp.  This means that some of the most coveted Dumble amps are recreations of old JFET preamps, John's BBC-1 is a recreation of that, and the Fumble is a recreation of that.  Wild.  \u003c\/p\u003e\n\u003cp\u003eWith all that in mind, the Fumble is the perfect stackable boost with true bypass switching, offering that coveted Dumble sound.  Your output knob simply acts as a master volume.  Your input knob however, attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As you turn the knob to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one.\u003c\/p\u003e\n\u003cp\u003eThis versatile pedal can be used in many ways including as a buffered clean boost, to slam in front of your overdrive of choice, in front of an overdriven amp, or as a solo boost at the end of your chain.  This might just be the best mistake JHS ever made.  \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42372546723920,"sku":"FUMBLE","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0494\/8113\/files\/JHS-Pedals-Fumble-Front_1100x_4a457885-053f-4f14-a1e0-a6d71f0a358b.webp?v=1780500502"}],"url":"https:\/\/www.woodsysmusic.com\/collections\/jhs-effects-pedals\/effect-type_ring-modulator.oembed","provider":"Woodsy's Music","version":"1.0","type":"link"}